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Die umfangreiche Produktpalette von Bowers & Wilkins steht, unabhängig vom Preis und Design, stets für erstklassige Klangqualität. Die umfangreiche Produktpalette von Bowers & Wilkins steht, unabhängig vom Preis und Design, stets für erstklassige Klangqualität. Bowers & Wilkins stellt Lautsprecher für nahezu jede Anwendung und Preiskategorie her. Hier finden Sie die B&W-Familie. The others are missing something. This comment has been known to upset certain designers although I fail to see why it should, in this case it just produces a single 'closed box' resonance at 60Hz and the more gradual roll-off below it, common to the genre. Anonymous December 9, at 4: I have yet to hear speakers that tempted me into changing. The adjustable floor spikes were installed into the base which allowed me to level the speaker on my thick carpet. The accompanying female vocals are found just off-center when used in the chorus. Visit my Audio Accessory Store for some great values! It still had traces of the black diamond casino no deposit bonus code problem Beste Spielothek in Rappenau finden seems to be a characteristic of the new mm units sizzling hot fruits online I must admit that several other listeners failed to observe or remark on it; nevertheless I am pretty sure most classical ears would do so in time. As well, the speakers have good vertical dispersion, so the height issue was not a problem in my setup. I too am an original owner and I had the same problem. These towers were cherry gold casino bonus to push the volume limits without distorting the music. Hate to pass the buck, but there's not much I can do to diagnose this from here. There are now two system of high fidelity, monophonic monaural and stereophonic. Given that bass is very room-dependent, i. Mine were touching and caused Beste Spielothek in Möns finden.

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The percussion fills in the stage, with guitar pulling center duty. With other speakers it is easy to lose the coherent feeling just by moving your head a few inches off-axis.

Right away, the extended high frequency response was clear through these speakers. This is a great test of midrange and crossover quality as this solo has terrific range and emotion.

Again, here, the bass was the weak point. This was clearly evident with the heartbeat which had missing intensity. Given that bass is very room-dependent, i.

Also, if more bass is desired, add a nice subwoofer. I consider the S to be superb, and I wanted to see how it performed in a more conventional consumer-type environment, so I asked Jared to review them as a follow-up to my original one.

Seems not many of my favorite artists have embrace this technology. The detail and depth can often become lost with lesser speakers.

These towers were able to push the volume limits without distorting the music. The detail and control were consistent through all volume levels.

It was only at very loud levels that the bass finally shone through. Maynards melodic vocals were consistently front and center.

The heavy crunchy guitar and definitive bass line had their own space and considerable separation. This strange melding of genres was done by Luther Wright and The Wrongs.

This album is more than The Wall , Banjo Style. They took every song and made it their own. They somehow retain the dark feel and yet get your toes tapping and hands clapping.

The multiple string instruments all clearly have their own space. The drum kit has depth, and the vocals are firmly planted in the center.

The accompanying female vocals are found just off-center when used in the chorus. The high-hat and percussion comes through cleanly in amongst all the layers.

At one point there is a metal guitar to the left and a banjo to the right. The two instruments extend the soundstage seamless beyond the speakers.

This recording is heavy on the mid-bass which masks some of the low bass output. The design and construction are well thought out and executed.

Ample bracing, solid high quality drivers and gorgeous veneer work all combine to create one high-grade speaker. Quite an undertaking for a level entry speaker — the S is the entry floor-standing speaker in the series.

The unique placement and construction of the tweeter fill out the top end smoothly, with no audible crossover holes.

The midrange and mid-bass sections are very pleasing, providing solid bass lines and natural vocals. Skyscraper — Blu-ray Movie Review. I have had these for a couple weeks and am so impressed with the full sound these offer.

Finally I have a speaker that has it all. The bass is great and well balanced. The tweeter is not harsh. They really git it right on this one.

If you get a chance to hear them, do so. They out perform my S2's, Wharfedale 9. The others are missing something. The specially created 25mm 1in tweeter enables high power handling to cope with the heavier usage imposed on modern hi-fi systems.

Frequencies in excess of 20kHz are within its range. Anthracite, black ash or walnut vinyl.

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Collector i just happened to read your article and thought oh this must be for me. This is what I need to know to sale or to keep???

I know the sound is all in the person that is listining but, Am hungery for more so I was thinking of the jamo the s or the c s so Waht to do???

Please tell me what you think the amp am runing is the Marantz pm Hi, I also own a pair of DM since years and I fully agree with the description you make.

I have now a problem that raised since a couple of month and you might have an idea how to solve it. Despite the fact I never listened loud, both bass are now showing noticeable distorsion on both side, all 4 speakers I already changed both the amp and CD and the problem stays the same Check the wires on the Bass drivers.

Mine were touching and caused distortion. Simply move them apart. I got my about 15 years ago and altered the crossovers. It did take away some base but with the other equipment I have, it sounds like a live concert.

Friends and family listened to them before and after the alteration and are very impressed even today. The amp is a Threshhold and a Sony CD player that came out of a recording studio.

Hi all, I got a pair of DM and I really like them. Although I replaced like 6 tweeters already! I guess I have to try to keep the volume down a bit more.

The HiFi shop I keep buying the tweeters from say it could be something to do with listening to MP3's: Anyone similar experience or do you know if there are filters available for blocking those high end frequency ranges?

You are more than likely blowing the tweeters because you are not pushing enough power to the speakers. I have had the speakers for 22 years.

I bought mine back around and they still sound as fresh as when I unboxed them! They look nearly mint too and they have taken some abuse; kids, cats and a watt Pioneer amp.

Positioning is really important so take take doing that properly. Also, I have mine biwired with a good quality cable. Hi - Check to make sure your treble isn't cranked all the way up on whatever equalizer setting the Denon uses.

Clean sound CAN blow your tweeters, but drivers are much more likely to be blown due to distortion from amplifier output or from the content being played.

MP3s, especially those encoded at low bit-rates - or less, can produce ringing or metallic sounds in the high frequencies.

At high volumes, this could damage tweeters. Try switching amplifiers, listening to MP3s recorded at higher bit rates, or finding an amplifier with a high frequency filter that rolls off frequencies above 15 KHz.

Hope this helps - let us know. Hi, I need new tweeters to my Dmi speakers, anyone who know where I can get them? We recently got a pair of these from a family member, plugged them in and noticed the tweeter not working.

Seems to be a common problem! Currently at the shop being repaired. The one we have now though certainly sounds nice. I too am an original owner and I had the same problem.

Took them to the dealer and they used what appeared to be shoe goo to seal an edge between the center of the woofer and the outer ring, that dried out.

Of course, they are flexible so you could really mess them up with a heavy hand. Hi regarding blowing up tweeters A more common cause of this is driving you amp into clipping.

Those are the kind of errors that keep engineers up at night, but most people would never notice. The rest of the cabinet also contains separate enclosures for each driver, massive amounts of internal bracing, and flawlessly wrapped veneer.

This midrange driver has an unusual surround edge that is designed to reduce unwanted breakup caused when the surround edge flexes away from the cone as the driver extends outward.

The bass is supplied by a pair of 6. In this application it helps to reduce unwanted imperfections in driver output caused by flexing and poor dampening.

The front left and right outputs were configured to full range and used without a subwoofer. For my listening tests I chose to use standard single wiring as the benefits provided by bi-wiring are not clear to me as yet.

The speakers flanked my projection screen, which put the tweeters seven feet apart and ten feet from my ears. This required minimal toe-in to achieve a tight focused soundstage.

The height of the speakers places the tweeter a tad higher than my ears, but I am at least a tad shorter than average.

As well, the speakers have good vertical dispersion, so the height issue was not a problem in my setup.

The adjustable floor spikes were installed into the base which allowed me to level the speaker on my thick carpet. The imaging of this finely crafted loudspeaker complemented the passionate rumba-flamenco guitar playing, producing an enveloping soundstage.

Strangely, the bass was not satisfying or full enough for me, even though it is a big speaker. Lack of power surely was not the problem seeing as the Rotel RB provides ample juice.

There was plenty of midrange and the top end was revealing and open without being too airy. With this recording the soundstage and phantom center image can be smeared when you are forced to place the speakers at such a wide distance.

The percussion fills in the stage, with guitar pulling center duty. With other speakers it is easy to lose the coherent feeling just by moving your head a few inches off-axis.

Right away, the extended high frequency response was clear through these speakers. This is a great test of midrange and crossover quality as this solo has terrific range and emotion.

Again, here, the bass was the weak point. If you get a chance to hear them, do so. They out perform my S2's, Wharfedale 9. The others are missing something.

The specially created 25mm 1in tweeter enables high power handling to cope with the heavier usage imposed on modern hi-fi systems.

Frequencies in excess of 20kHz are within its range. Anthracite, black ash or walnut vinyl. David Faris 6 agosto

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